woolwich print fair editions

Us and Them /etching white on black paper /Woolwich print fair 2019 edition of 25 £120 27cm x 20 cm Watching the Water etching on Zerkall white/ edition of 20 in Blue/ contact Woolwich print editions to purchase. These are a small edition made in 2019 with the title punched in braille through the image and fluorescent paper attached behind with rice glue. There may be slight variations in these

Using Rubbish

My recent efforts in the studio have been around using rubbish. Traces, footprint and re evaluation as a resource . I look on it as a kind of technical studio exercise to push what I have to its maximum … not always through the press but often the pressure of the press squeezes the material into something else. and it is this transformation that I’m interested in. So far i’ve

Tierras Aridas Edition

Tierras Áridas | Camberwell College of Arts, University of the Arts London from ediciondearte on Vimeo. Collective project at the University of Valencia : Camberwell College of Arts book Resistant Grounds Featuring Artists : Altea Grau Vidal Victoria Margarita Ahrens Jo Love Victoria Arney Sumi Perera

Difficult paths and dead ends

These are the latest Etchings . Originally from old postcards they have now become interconnected through the pathways across them – mirroring and turning into floating platforms impossible spaces through the landscape.  Ive just been reading Simon Schama’s landscape and memory and found Raffaele schiaminossi’s etchings of the sacred mountain of  St Francis of Assisi – with little flaps and frontispieces that open out …more ideas to work with. As

using the negative

Notes on the negative. I Have been working in the studio preparing for the Parcours d’art Avignon this week, and making connections between things, the drawings the prints and the newer sprayed works. All deal with negatives and touch and it was not until I put up the work side by side that I could see that so clearly. The photos that I have been using over the winter of

Bambouseraie Cévennes France

  Divisé /  Chemin  /  Rétoure eternal   The main task was to make sculptures out of Bamboo that could last being outside for 7 months.  We drew up several simple forms that we wanted to place in the garden. We wanted to bring colour to this project as the overall aspect of the garden is intensely green and vertical we wanted to challenge and echo certain colour combinations within that. 

Residency- some etching techniques

Larger Zinc Plates Day 1,2 and 3 of Residency at the Maison de Gravure / Montpellier working on Songs of Nature series and Carrier ideas . These are all fairly small 29 x39 cm zinc plates na d 20x 25cm copper plates. The copper I have really enjoyed using – much more responsive to the delicate drawing – on both i have experimented with white soap ground on short bit

Chin collé workshop 2017

Chine Collé workshop Format ImagePosted on June 13, 2017by admin CHINE COLLÉ WORKSHOP  We used Akua Inks on ply – Kozo Paper and Gampi and Dry point.  My first workshop in French ! had a few problems with explaining over and under ! great class we worked on wood and kozo papers first then when dry cut and used rice glue to put the papers through the press for chine

Not a wasteland

Not a Wasteland – Suface Exhibition – Crypt Gallery London 2011 This piece was made in relation to the space of the Crypt In London Euston – Originally a Catacomb the remains were removed – the title a line form a poem  alludes to the notion of inversion – life still existing underneath, a shadow life. the suspended light cast slim shadows and flickered the cut lines. This piece was later recut