since 2016 I have been making work that looks at hidden codes and touch with puncturing the paper or things being put through the press to leave a mark or code.

This series used the idea of platforms or precarious structures in nature that have viewers or are for viewing nature. The titles are often what is written in braille. or sometimes a quote. I am interested in the surface and time, and how the holes interrupt the image. I see them as a continuation of my shifted plates that make a double ghost image to create a dissonance of disruption visually the code disrupts the images.