The Residency at the Maison de Gravure has meant that I have been hard at work for the last 2 months on and off , talking about my work and making it alongside all the other Artists that use the Atellier, and today I was asked to show in The Sud Estamp exhibition here in Montpellier to be The Artist to show at the Maison De Graveur. That was a great moment for me to be finally accepted and appreciated here. Also to be written about in French ! thank god I dont have to do the translations and i’ll have something written by a French speaker.
Another Gallery in Aubusson the Gallerie Des Marches has also offered me a show next month – so it looks like things are finally changing for me here. Now I have the problem of who will come to the private view ! and my opening speeches – which is the norm here , everyone has to give an introductory talk , often after the mayor or some other local Art patron … not all cut and dried then yet.Details
100 Artists make prints 21 x 21 cm
Etchings with braille and florescent card.
Waterfalls from old postcards were used as a theme -of time and forceful invisibility. The inverse braille which are lines from Laurie Anderson songs acts as a kind of hidden code incorporated into the landscapes, sometimes referring to other spaces and sometimes descriptional but readable.
Je me concentre sur les chutes d’eau comme un thème de temps et d’invisibilité forte beaucoup seront des eaux-fortes doubles où je déplacer les plaques comme je l’impression pour augmenter ce sens de l’invisibilité. Presque sur le bord de la reconnaissance.
Le braille agit comme une sorte de code caché incorporé dans les paysages, se référant parfois à d’autres espaces et parfois descriptifs. Ils ont mots qui bien des chansons de Laurie Anderson ( Artiste American )
The British Connection – Group Show 25/4 – 12/5 2015
No Mans Land – woodcut on Kozo paper 2015. 300cm x 260 cm
Is a work done using the style of traditional Japanese woodcut techniques, Hokusai’s references with the sea and Tsunami were at the forefront of my mind when making this piece. I wanted to make something that floated literally, the paper is so light it moves as you walk past the woodcut, and architecturally endless. The ideaology behind this work : the oceans near escape from the digitalisation of landscapes and history.
No Mans Land est un travail fait en utilisant le style des techniques japonaises traditionnelles de gravure sur bois, des références d’Hokusai avec la mer et Tsunami étaient à l’avant-garde de mon esprit en faisant cette pièce. Je voulais faire quelque chose qui flottait littéralement, le papier est si léger qu’il se déplace que vous passez devant le travail, et architecturale sans fin. L’idéologie derrière ce travail: les océans près d’échapper à la numérisation des paysages et de l’histoire.
Caroline Ward-Raatikainen/ Liz Hough
Lisa Ivory installing her workDetails
Photos from the show at the Venic Arsenale in March 2015- Inspiring work from International artists / Selected by Igor Zanti, Franck Gautherot (Contemporary Art Center in Dijon), Jonathan Watkins ( Ikon ) Philippe van Cauteren (Museum of Contemporary Art in Ghent) amongst others.Details
Exciting news – In March I will be showing my piece – Ruin Repeat – at the Venice Arsenal – in the Laguna Arte Prize 2015.
The exhibition focuses on new contemporary art from around the world and is selected by a jury of 10 Art Critics – Award ceremony is March 21st / the show runs until april 5th and is free.Details
Great to be part of this group Show down in Deptford – I’m showing 2 large photos of Ladywell baths before it got dimolished. Its on until Nov 16th
Melissa Alley | Hermione Allsopp | Victoria Arney | Vanya Balogh | Clive Burton | James Capper | Edward Chell | Cedric Christie | Carla Cruz | Alex Culshaw | Mikey Georgeson | Lauri Hopkins | May Yeonok Jang | Caroline Lambard | Teresa Leung | Amanda Loomes | Holly Owen | Matt Parsons | David Redfern | Sam Risley | Ellen Camilla Rose | Pascal Rousson | Paul Sakoilsky | Margot Sanders | Katie Surridge | Paul Tecklenberg | Oscar Tornincasa | Paul Tucker | Tisna Westerhof | Rosalie Woods
The Deptford Stories Festivalbrings together art, theatre, music and history to celebrate the past, present and future of Anthology Deptford Foundry, the former site of Arklow Road Trading Estate.
These images are part of my personal history with the building before it was demolished in 2015.Details
Bearspace are showing some of my Dream life of Debris show black prints at multiplied this year. Culminating in Geometry of a waterfall they they represent a years work looking at the complexity of drawing water/ fall/sea through simple etched line. Using Geometry and line in an attempt to expose emotional content and sense of history.
The large round etchings on black planet like.
The work is all weekend until Oct 20th
As mentioned in the Huffington Post
For info on how I printed these go to Etching techniquesDetails
Dream life of Debris
Bearspace Gallery London
Drawings and prints that look at the debris of natural images and the voyeuristic nature of viewing unknown landscapes.Details
Interrupted landscapes 2014/15
My preoccupation in working with landscape is always about the relationship between decay and growth /Disaster and re ordering Many of these drawings use real events of a catastroohic nature – observed at a distance through technology. Overlayering one event ontop of the other in the case of Cardbaord City below – where the boxes sent to help the survivors also form a cityscape themselves , then superimposed with detais of the debris from flooding . Drawings exploring the idea of interrupted landscapes on the brink of disaster.
Interrupted Landscape I – shown in June at Southamtpon Art Gallery as part of the London Group show in conjunction with the London Group ARchive there.
Ruin Repeat 2013 154 x 121 cm above
Interrupted Landscape II
Small works on Paper 2014
40 paces drawings